At present the role of the architect to create a harmonious ensemble of the real environment has further increased. It became apparent that in order to bring the entire material world that surrounds man, to the strictly necessary unity of thought-out design of all its components in with the architectural space in which one or another set of things will work. Hence a large number of architects of the modern masters of design. In the works of eminent designers savings of material resources is to some extent derivative of economical, skillful use of means of artistic expression.
Architects, designers and artists an applied, creating an artificial human environment a real environment, aesthetically transform, thus providing an extensive area of human activity - production of material, Where the harmony is manifested in indissoluble unity with the technical excellence of products of human labor. But worthy to decorate "material ... spiritual and our environment "can only be true masters of architecture and design, as the skill level depend on the level of knowledge of all the subtleties of professional artistic language.
Specific to the design tools and techniques of composition.
There are many quite conflicting definitions of "composition" in the design.
The most accurate term "composition" can be interpreted as a means of structural organization of the real environment, such as extruded through the prism of art and creativity of the design structure of objects, expressing a definite content. Composing objects, the designer provides them with functional, technical and "spiritual" content, creating meaningful beauty. On the composition of products we can speak only in cases where the designer purposefully seeks to achieve a harmonious integrity of the shape of a product.
Specificity of the composition of each product is associated primarily with changes in its shape according to what role it plays in human life, respectively, the material from which the object is made, and design scheme, which determines its structure. The aim is to create a composition functionally, technically and technologically advanced goods and the formation of the basis of their aesthetic virtues - beauty, symmetry of parts and whole in close contact with all objects of the subject environment in which these items are included. |